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Let’s Pick Blueberries Until the End of Capitalism (ongoing)
Tapestry weaving meets video game graphics to explore political textile art, escapism, and capitalism. Set to be completed for Craft Days 2026, Gothenburg region.
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Tumbling Worlds (2024)
A material-driven project combining tumbled objects and video game environments to explore the afterlife of materials. Exhibited at Ada Formcenter Väst and the Speculative Gatherings event, 2024.
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The Weave at the End of the World (2024–ongoing)
A series of woven images from textile surplus exploring alien terrains and everyday life. Exhibited at Färgelanda Konsthall and evolving with new works.
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Tapestry in Progress (2024)
A mural inspired by woven textures, Hagakyrkan, Gothenburg. Created with a site-specific color palette in June 2024. Part of Planksidan - Trafikverket.
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Every Love Has Its Own Landscape (2020–2023)
Virtual landscapes created from images of domestic textiles to explore personal and environmental connections. Supported by The Swedish Arts Grants Committee in 2022.
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I Haven’t Moved at All (2023)
Video essay blending indoor and speculative outdoor landscapes to explore the feeling of being lost in one’s home environment. 3-channel projection, 17 min. Part of IM-Konsthall, Moskosel Creative Lab, 2023.
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Soft Shelled (2021)
A photo series exploring textile and plant processes through collaged images of growth and decay. 3 images, edition of 5, high-quality print on aluminum
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Svart Vatten (2019)
Video loop exploring the interplay of iron, trees, and water in Swedish landscapes. 45 min, atmospheric sound. Exhibited at Luleå Konsthall (2019), included in Film Form’s reference archive.
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Soft Society (2016–ongoing)
A collection of experimental prints of lost gloves and mittens, exploring individualism and the urban environment. Excess dye on silk, displayed in large wall sections.
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Lindådra, Linmåra, Linsnärja, Linrepe (2022–2023)
A project recreating extinct weeds that once grew with flax, through 3D models and postcards. Exhibited at Slöjdgalleriet, Linköping 2022; publication Östgötalin (2023) as part of the Spånadslin residency.
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Language of Loops (2019)
A conceptual font blending the Western alphabet with crochet symbols, exploring written and handheld knowledge. Free to download, exhibited as posters or wall text. Supported by Längmanska Stiftelsen in 2019.
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Dien (Dye/Die) (2017–2021)
Conceptual plant dyeing using urban materials to explore environmental impact and transformation. Exhibited through installations, workshops, and films.